Yukon-based artist-run centre Klondike Institute of Art & Culture is the grand winner of the $50,000 Lacey Prize - National Gallery of Canada

No. 19 Texas might not bench Arch Manning just yet, but Steve Sarkisian is setting the groundwork should he choose to make a change at quarterback. ESPN’s Pete Thamel reports the Longhorns plan to give redshirt freshman KJ Lacey Jr. more first-team reps this week after an upset 27-24 loss to Florida on Saturday. Following a 4-0 start, including a dramatic comeback win over Ohio State, Texas has lost two in a row. Manning, the grandson of Archie Manning and nephew of Peyton Manning and Eli Manning, struggled mightily against the Gators after starting the game with a 17-3 lead. He was sacked five times, including one that led to a fumble on the team’s final possession. Manning ended his afternoon throwing for 173 yards on 14-for-20 passing with a touchdown. The preseason presumptive first overall pick in the 2027 NFL Draft, Manning has shown flashes of brilliance this season alongside some poor decision-making. It’s the latter that forced Sarkisian to concede that a change could come under centre. “We’re not playing very good football right now,” Sarkisian said after the loss. “I have to evaluate everything. It’s gonna be a long night.”Lacey, 19, was Alabama’s Mr.

The sheep appeared in Lalanne’s U.S. museum debut 60 years ago.

One Sunday last year, the Cameroonian-Guadeloupean-French artist Roxane Mbanga was relaxing in bed when she received a message that made her sit up. It was about working on an art history project. Growing up in Paris, she had been a regular at Maasai Mara, the now defunct restaurant owned by her father, where Africans in the diaspora, including the artists whom he helped organise exhibitions, convened to eat and chat. Thus the concept of a book, attempting for the first time to comprehensively compile and document key players in Cameroon’s vast visual art history, made obvious sense to her. “It’s a magical reconnaissance, being recognised by my peers and being in the same book as people I look up to,” says the 30-year-old artist. “This idea of creating spaces, as with the book, is incredibly important because it allows us to build from there and leave traces for people that will come after. I really lacked that growing up … spaces like books, podcasts or whatever, where I could really see people that resemble me, that do things similar to me.”The first African woman to curate the Venice Biennale … Koyo Kouoh.