The Art Tycoon, The Textile Company, and His Nephew on Trial in Colombia - Finance Uncovered

A Canadian seafood tycoon’s financial troubles have turned into a debate over who gets to decide what happens to his art collection, which includes dozens of Indigenous artifacts that some experts say should be returned to their communities of origin. John Risley, the billionaire businessman who cofounded Clearwater Seafoods, is caught up in a dispute over hundreds of artworks and antiques following the collapse of his investment company, CFFI Ventures, which entered creditor protection in March with nearly $1 billion in debt.

This article includes spoilers for You Can See Everything, a new documentary about Elizabeth Holmes now playing theatrically in the US. Did it seem strange to you that Elizabeth Holmes’s X account remained so active after she reported to prison in 2023? You are not alone, and You Can See Everything, a new documentary about the businesswoman that was directed by Nathan Fielder and Lance Oppenheim, may offer some reasons for the weirdness of her social media in the past few years.

The museum is bringing more than 160 artworks to Paris as it undergoes a major expansion. The post The Broad Is Sending Its Art Treasures Across the Atlantic appeared first on Artnet News .

Canada, an esteemed New York gallery, faced the threat of closure last year after a backer filed two lawsuits against the space’s founders. A New York court ruled that the gallery could remain open, and neither lawsuit appears to be active, with the most recent filings for both posted at the start of this year.

Police ordered the Grand Palais to briefly shut down amid the nationwide student protests. General view of the main hall of the Grand Palais during Art Basel 2025 (photo Telmo Pinto/SOPA Images/LightRocket via Getty Images)

the polish director builds immersive stage environments in which live performance, moving images, and shifting scenography challenge how audiences experience theater. thomai tsimpou October 20, 2026 5 min prefer designboom on googleŁukasz Twarkowski merges theater and cinema onstageBefore Oracle begins at Onassis Stegi in Athens, a camera captures the audience and projects its image onto a screen. Spectators appear as grainy black-and-white figures, their faces transformed into a strange, almost anonymous collective portrait. Those who have come to watch find themselves becoming the spectacle. It is an introduction to the work of Polish director Łukasz Twarkowski, in which live performance and cinema become inseparable. Twarkowski brings theater and cinema into a shared space, making the process of filming part of the performance. The stage divides horizontally into two visual fields: the live theatrical action unfolds below, while a screen above displays footage captured by cameras operating within the set in real time. The audience watches the actors perform while simultaneously observing how their movements are framed and transformed into cinematic images.