Art Basel Paris Undergoes Lockdown Ahead of Opening
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Police ordered the Grand Palais to briefly shut down amid the nationwide student protests.
General view of the main hall of the Grand Palais during Art Basel 2025 (photo Telmo Pinto/SOPA Images/LightRocket via Getty Images)
This article is an excerpt. To read the full content, visit the original source. Hyperallergic
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No lockdown at Whitehorse long-term care facility during illness outbreak - CBC
NorthYukon’s Health and Social Services department says actions to prevent the spread of infection are underway inside a Whitehorse long-term care facility, but it has not been placed on lockdown. COVID-19, flu cases identified within Whistle Bend Place care homeJulia Parrish · CBC News · Posted: Oct 19, 2026 2:19 PM EDT | Last Updated: 1 hour agoListen to this articleEstimated 2 minutesThe audio version of this article is generated by AI-based technology. Mispronunciations can occur. We are working with our partners to continually review and improve the results. Whistle Bend Place, a continuing care facility in Whitehorse, in a file photo. Yukon's Health and Social Services department says a respiratory illness outbreak has been declared in the long-term care facility. Visitors are allowed, but with limits. A lockdown has not been put in place. (Claudiane Samson/Radio-Canada)Two respiratory illnesses have led officials at Whitehorse’s Whistle Bend Place long-term care facility to enact heightened infection prevention protocols, although they have not gone as far as locking down the facility.
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łukasz twarkowski turns theater into a live cinematic spectacle
the polish director builds immersive stage environments in which live performance, moving images, and shifting scenography challenge how audiences experience theater. thomai tsimpou October 20, 2026 5 min prefer designboom on googleŁukasz Twarkowski merges theater and cinema onstageBefore Oracle begins at Onassis Stegi in Athens, a camera captures the audience and projects its image onto a screen. Spectators appear as grainy black-and-white figures, their faces transformed into a strange, almost anonymous collective portrait. Those who have come to watch find themselves becoming the spectacle. It is an introduction to the work of Polish director Łukasz Twarkowski, in which live performance and cinema become inseparable. Twarkowski brings theater and cinema into a shared space, making the process of filming part of the performance. The stage divides horizontally into two visual fields: the live theatrical action unfolds below, while a screen above displays footage captured by cameras operating within the set in real time. The audience watches the actors perform while simultaneously observing how their movements are framed and transformed into cinematic images.
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