Ringo Starr is reflecting with peace and love - CBC

How The Beatles found their drummer at Butlin's5 hours agoKarl BirdIn SkegnessMichael Ochs ArchiveRingo Starr joined The Beatles in 1962 while he was playing Butlin's in SkegnessA Lincolnshire holiday camp played a little-known but crucial part in the birth of The Beatles. A young, bearded Ringo Starr was playing drums with Rory Storm and the Hurricanes at the Butlins in Skegness in the summer 1962 when Paul McCartney and John Lennon arrived to try and recruit him to the band. Bobby Thomson, who was bassist in the Hurricanes, recalls the duo arriving early one morning after driving all night from Liverpool. "I think that was the whole idea, to invite him to join the Beatles," he said. "Because I was with Ringo they didn't come out with it. They could have, it wouldn't have bothered me. "He said that a few weeks later in mid August the band were having breakfast when an announcement over the speaker system asked Starr to report to reception. He asked Thomson to come with him and the pair arrived to find a phone call from Beatles manager Brian Epstein asking if Starr would like to join the group.

A a man died of a freak accident on the property on Friday during a walking tour.

'The fair is proceeding as planned and final preparations are underway,' a spokesperson said. The post After Protests and Riots, Art Basel Readies Paris Show appeared first on Artnet News .

MIRROR-FINISH ACRYLIC PANELS CONCEAL pavilion IN GUADALAJARADesigned by errre taller, Sfumato is a temporary reflective pavilion that reinterprets the Cubo MEM, a prominent sculptural landmark at the ITESO architecture complex in Guadalajara, Mexico. Selected as the winning proposal for the inaugural Pabellón MEM competition, the project investigates how an existing architectural structure can become visually imperceptible while maintaining its physical footprint.all images ©errre tallerCONCEALED STEEL FRAMING FORMS MONOLITHIC SKYWARD PAVILIONThe intervention by studio errre taller wraps the 6.40 × 6.40-meter cube in a reflective envelope composed of 3 mm mirror-finish acrylic panels. The standard 1.22 × 2.44-meter sheets are combined with 76 cm cut sections to maximize material efficiency while maintaining surface continuity. The panels are attached using double-sided tape and silicone to a light-gauge metal stud-and-track framing system supported by an interior wooden sub-structure fixed to the original PTR steel frame. To preserve the illusion of a monolithic volume, a single access portal is positioned discreetly on the less prominent west face.