Art Gallery of Ontario Gifted Trove of 450 Works by Warhol, Lichtenstein, and More Legendary Artists - Artnet News

He brought his optical preoccupations into the 21st century, without losing his love of artists from earlier eras. David Reed, "#808" (2024–26), oil and acrylic on polyester (all photos courtesy Rodder)

John Yau on Roy Lichtenstein, Megan O’Grady on John Berger, and Paddy Johnson answers the question: Do I need an agent? It’s a sunny October afternoon in Manhattan and the steps of the Metropolitan Museum of Art are bustling with visitors. Tourists pose for selfies against the museum’s facade; street vendors sell chopped-up hotdogs in a nest of French fries; and the sound of saxophone music drowns into the symphony of splashing water fountains and honking cars on Fifth Avenue. So many types of people; the only ones missing are the Lenape whose land was stolen so we could enjoy this fine Indigenous Peoples’ Day on the steps of The Met. Inside the museum, a blockbuster exhibition about Abstract Expressionist painters Lee Krasner and Jackson Pollock is jam-packed. The show is as much about their mutual influence as it is about their marriage, their most difficult collaboration. I hear a woman from behind accusing me of “White privilege” because I apparently cut her in line. I turn around and say, “What White privilege?

Ahead of her memoir's release, we talk to Joan Kron about Andy Warhol, beating Sidney Janis to the punch, and why she calls herself a “renegade housewife” of Pop Art. Joan Kron with a remake of Roy Lichtenstein’s “Super Sunset Billboard” (1967) at the Whitney Museum of American Art (all photos courtesy Joan Kron)In 1962, the first-ever Pop Art exhibition on the East Coast was mounted at the Young Men’s and Young Women’s Hebrew Association (YM/YWHA) in Philadelphia. Just days before the Sidney Janis Gallery broke with Abstract Expressionism in its historic show The New Realists, the firebrand "housewives" of the Y had already featured many of the same up-and-coming artists, including Jim Dine, Roy Lichtenstein, and Claes Oldenburg in Art ’63: A New Vocabulary. Brushing off the scorn from Philadelphia’s then-conservative art world, the show’s organizers, Audrey Sabol and Joan Kron, would go on to claim more firsts.

When Dan had had enough of his television, he threw a rock straight through the screen. The offence? His smart TV was downloading its third update in three days. “It drove me crazy with what seemed like daily software updates that never fixed anything and ‘features’ that never seemed to work,” says the 71-year-old from Illinois. “And of course, constantly trying to push me to subscribe to paid-for services when all I wanted to do was watch over-the-air TV, play a DVD or stream something from my computer.”Some may accuse Dan of being a luddite, but his master’s degree in computer science and decades of experience in telecommunications would suggest otherwise. “The tech is not intimidating,” he explains, “just increasingly enshittified.”The first smart TVs entered the market in the late 2000s, when companies introduced operating systems, media players and apps to screens that were becoming wider and thinner. In recent years, the luxury status of smart TVs has waned and increasingly affordable options are widely available. Tom Parsons, TV and audiovisual editor at the electronics magazine What Hi-Fi?, explains that these cheaper models can struggle under more advanced features.

To receive Morning Links in your inbox every weekday, sign up for our Breakfast with ARTnews newsletter. The Villa Domínguez Jewish Museum in Argentina is keeping its doors open amid clashes with the local government.

When the final episode of Ghosts was aired in December 2023, the sitcom felt as if it had reached a definitive conclusion. The show’s central relationships, between Charlotte Ritchie’s Alison and the ghosts who haunt her tumbledown inherited manor house, were neatly tied up, as they encouraged her to sell the place to a hotel developer. It was a tearjerker of an episode for the millions of people who watched it, as well as for the cast and crew behind the scenes. “We had stopped the series with genuinely no intention of coming back,” explains the show’s co-creator Mathew Baynton, who also stars as the callow romantic poet Thomas. “We were all in tears on the last day of filming,” he says, now perched on the uncomfortable end of a chaise lounge in a London hotel suite. “I was so upset that it finished,” adds Lolly Adefope, who plays the excitable Kitty, from the better structured end of the chaise. “It was like being at a party and you guys were leaving.”“It was a clear ending, and the guys felt like they had fully explored all of the characters,” says director Simon Hynd, “but I did notice a look of regret in some of their eyes.”All of which is to say that Ghosts is now back.