Entertainment

Thursday, Oct. 8 MusicMain Street Music and Event Venue, 102 W. Main St., Brooklyn—Karaoke, 7 p.m. Mars Resort, W4098 S. Shore Drive. Lake Geneva—Jeff Walski, 6 p.m. Mustang’s Bar and Grill, 482 Gardner St., South Beloit—Karaoke, 8 p.m. Palpable’s Pub, 128 S. Bluff St., South Beloit, Illinois—Afternoon Dance, 1 p.m. Pier 290, 1 Liechty Drive, Williams Bay—Mike VanDyke, 5:30 p.m. Stable Rock Winery, 123 W. Milwaukee, Jefferson—Loves Dies Twice, 5:30 p.m.5Bar.co, 530 E. Grand Ave., Beloit—Karaoke, 9 p.m. ActivitiesBadger Bobs, W8497 County A, Delavan—Bingo, 6 p.m. Barkley’s Burgers, Brews and Dawgs, 25710 W. Court St., Janesville—Trivia, 7 p.m. Grand Avenue Pub, 132 W Grand Ave., Beloit—Bingo, 6 p.m. The Hive Taproom, W2463 County Road ES, East Troy—Trivia, 7 p.m. Maxwell Mansion, 304 S. Wells St., Lake Geneva—Bourbon and Bosoms: A Breast Cancer benefit by Geneva Lakes Whiskey Club, 6 p.m. Pat’s Brew and ‘Que, 202 Station St., Sharon—PokerRock Bar and Grill, 101 Maple Ave., Beloit—Extreme Bar Bingo, 7 p.m. Rock County Brewing Company, 10 N. Parker Drive, Janesville—Trivia, 6 p.m. Pyramid Event Venue, S. Main St., Lake Mills—Cryptid and Urban Legend Trivia, 7 p.m.

The Waterloo Catholic District School Board congratulates Sharon Foran of St. David Catholic Secondary School, recipient of the 2026 Drayton Entertainment Teacher of Excellence Award. The award recognizes an outstanding secondary school educator who demonstrates exceptional skill, dedication and passion for arts education. It holds special meaning because nominations come directly from students involved in high school musical productions.

Looking to be entertained from Thursday, Oct. 8, through Wednesday, Oct. 14? Check out the Skagit Valley Herald’s weekly recommendations. OCT. 8-JAN. 10‘Surge: A Geography of Flow’The Museum of Northwest Art’s “Surge” exhibition series returned Oct. 3 with “Surge: A Geographic Flow,” which was developed in collaboration with the Skagit Climate Science Consortium. Inspired by the December 2025 floods, climate scientists and local artists were brought together to examine how climate change is reshaping the movement of water, people, plants, animals and the ecosystem of the region. The art installations are inspired by peer-reviewed climate research and examine topics such as salmon survival, forest ecology, wildfire science, hydrology, habitats, plant pathology, coastal geomorphology and marine microorganisms. A September news release from the museum states, “Rather than prescribing solutions, ‘Surge’ instead exists to create space for dialogue and shared understanding.”The exhibit will run until Jan. 10. More information is available at monamuseum.org/surge-2026. OCT.

Photo via @angelinebarion. Fangirls (and fandoms in general) are changing the entertainment industry as we know it. They’re shaping stories, dictating marketing and changing the trajectory of franchises by speaking up about things they love most. After the live-action Sonic's animation style was criticised by fans online, Paramount and Sega scrambled to change it. That's the impact fans can have. But growing up, being seen as a fangirl felt too vulnerable. I can’t remember being a vocal, diehard fan of anything from the ages of 14 to 24 — which also happens to be peak fangirl age. 14-year-old me was so adamant about pursuing a "cool girl" image that she never realised the belonging, friendship, and community she was so desperate for were tucked between all the interests she never admitted to having. She didn’t understand that the "cool girl" doesn’t have defining parameters. She simply makes her own. In the past two years, my admiration has only grown for people who say that they love something (fan-mantically) with their entire chest. Now, I’m in the same boat, and I wouldn’t change a thing. All it took was a trial by fire to overcome my fear of being a fangirl.

An Error occurred loading this video. Please try again later. When a mother and daughter vanish while hiking the Pacific Divide Trail, Colter races to find them after discovering they were being stalked, on the CBS Original series TRACKER, Sunday, Oct. 11 (9:00-10:00 PM, ET/PT) on the CBS Television Network, and streaming on Paramount+ (live and on-demand for Paramount+ Premium plan subscribers, or on-demand for Paramount+ Essential subscribers the day after the episode airs)*.

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Select market data provided by ICE Data Services. Select reference data provided by FactSet. Copyright © 2026 FactSet Research Systems Inc. Copyright © 2026, American Bankers Association. CUSIP Database provided by FactSet Research Systems Inc. All rights reserved. SEC filings and other documents provided by Quartr.© 2026 TradingView, Inc. SOC 2

, /PRNewswire/ -- Live Nation Entertainment, Inc. (NYSE: LYV) (the "company") today announced that it priced an offering of $730,000,000 in aggregate principal amount of its 7.125% senior notes due 2032 (the "U. S. Dollar Notes") and €600,000,000 aggregate principal amount of 6.125% senior notes due 2032 (the "Euro Notes" and, together with the US Notes, the "Notes"). The U. S. Dollar Notes will have an interest rate of 7.125% per annum and will be issued at a price equal to 100.000% of their face value. The Euro Notes will have an interest rate of 6.125% per annum and will be issued at a price equal to 100.000% of their face value.

Actus et mises à jourGalerieInfosForumBoutique de produits dérivésParcourirOutdoor Entertainment 2Outdoor Entertainment 2 by vbf1921 / 2Outdoor Entertainment 2Outdoor Entertainment 2Outdoor Entertainment 2Description#outdoor #entertainment #outdoorentertainment #gril #bar #nocc11 downloadsExtérieurType de pièce12 063Simflouz6 x 6TailleConnectez-vous pour commenter Connectez-vous pour laisser un commentaireFAQTéléchargez et installez les outils. Lancez votre jeu, puis allez dans la Galerie. Dans les filtres de la galerie, cherchez l'option de contenu « Voir la playlist » dans les filtres personnalisés, en bas à droite. SignalerHarcèlement ou menaces

(Welcome to the Entertainment Strategy Guy, a newsletter on the entertainment industry and business strategy. I write a weekly Streaming Ratings Report and a bi-weekly strategy column, along with occasional deep dives into other topics, like today’s article. Please subscribe.)I just heard someone say that if you’re reading a pundit or data analyst, and they don’t tell you that they got anything wrong, they’re not a pundit but an “influencer”. I agree with that. You have to tell your audience when you get things wrong, or they won’t (or shouldn’t) trust you as much. Today, we’ve got another edition of “What I Got Right, What I Got Wrong”. In general, I’m patting myself on the back (and patting very hard) about a few things like IP at the box office, LIV golf, horror films, crowdfunding movies, superheroes, and old people going to the theaters. That said, I also made a couple of data mistakes on the streaming bubble popping and HBO’s datecdotes, so I’m not perfect. But first, I need your feedback...

Television writer and producer Chuck Lorre is reflecting on his less-than-positive experience working with Roseanne Barr on early seasons of the sitcom “Roseanne.” Chatting with actor Jesse Tyler Ferguson on Tuesday’s episode of the “Dinner’s on Me” podcast, Lorre described his time with Barr as “malice,” which he partly blamed on her years on the stand-up circuit. “Roseanne hated that there were writers, fundamentally hated that other people wrote words that she would say,” he explained. “She was a stand-up comedian. She made herself a superstar based on her words, her writing. Then transition to a television show where [you] can’t do it alone. It’s impossible.”He went on to note: “That transition was not going to happen, so there was this built-in animosity between Rosie and the writing staff, any writing staff ... the premise of other people putting words in a stand-up comedian’s mouth is fundamentally flawed.”“Roseanne” aired on ABC from 1988 to 1997. Lorre, a New York native, joined the show’s writing team for two seasons, starting in 1990. Roseanne Barr, center, and the cast of “Roseanne” in 1989.

Calinos Entertainment is expanding its Mipcom 2026 slate with three Turkish limited series: “Between the World and Us”, “Runaway” and “The Choice”. The titles will be presented to international buyers and partners in Cannes from October 12–15. Produced by MF Yapım, “Between the World and Us” stars Demet Özdemir, Buğra Gülsoy and Hafsanur Sancaktutan. The series follows a relationship tested by distance and deception after a woman creates a fake social media profile to test her partner’s feelings.