The joy of strap-ons, Sherman’s plump pearls and a hypnotic apocalypse: five free exhibitions to see
This story deserves to be shared
Send it to someone who'd care, or post it on your networks.

Pia Camil: Bestia★★★★☆All sorts of secret, shocking things happen behind closed doors, but they probably pale in comparison to what’s happening behind the saloon-style screens in Mexican artist Pia Camil’s debut UK exhibition. Swing them open and you’re greeted with eye-popping paintings of lust and sexual freedom. A demonic, fanged creature humps away at a blindfolded woman in one, a blue-skinned being with a curly little pig’s tail performs cunnilingus on another. Everywhere you look there are bodies writhing in ecstasy, hair being pulled, stilettos being pressed into bare skin. Most of the time when you see sexual art these days it carries a big political message about exploitation and abuse, but this is the opposite: this is about the joy of sex, about liberation through desire, about a feminist reclamation of eroticism. In the middle of the room, a huge inflatable sculpture of Lady Godiva inflates and deflates, rises and falls, over and over. The whole show is like all your favourite erotic surrealists put through a Mexican art filter.
This article is an excerpt. To read the full content, visit the original source. The Guardian Culture
Related articles

The Night Is Fading Away review – hypnotic homage to cinema as a force for public good
Cinema halls – or dream palaces, as they’re affectionately called – offer a retreat into the realm of make-believe, and everyday drudgery is left at the door. Though set within a single-screen theatre in the Argentinian city of Córdoba, Ramiro Sonzini and Ezequiel Salinas’s hypnotic film invokes a more porous relationship between the screen and its audience. Here, the messiness of life beguilingly sneaks into this domain of fantasies, blurring the borders between public and private spaces. While the luminous black-and-white cinematography lends a dreamy fuzziness to the images, the narrative concerns are grounded in thorny economic realities. A film projectionist at his local cinema called Pelu (Octavio Bertone) is reassigned to the post of a night watchman due to budget cuts at the city hall. The cinema soon becomes his literal refuge: he moves out of his cramped rented flat and secretly takes up occupation at his workplace. He then welcomes a horde of other outsiders, including his unemployed roommate, an ageing drifter and a sex worker who livestreams her erotic shows from the cinema.

Time to clutch your pearls: Theatre etiquette is changing - CBC
EntertainmentAs audiences evolve, theatres are making changes to meet them where they are at, whether that means allowing some noise from the crowd, letting people come and go as they please, or even being a little more understanding of cellphone use. From audience interaction to relaxed auditoriums, theatres are easing expectationsHelen Surgenor · CBC News · Posted: Jun 27, 2026 4:00 AM EDT | Last Updated: June 27Listen to this articleEstimated 5 minutesThe audio version of this article is generated by AI-based technology. Mispronunciations can occur. We are working with our partners to continually review and improve the results. Melissa James, left, and Patrick Heusinger, right, star in the Mirvish Production of Paranormal Activity. The show's jump scares have elicited nervous laughter and chatter from some audience members, annoying others. (Johan Persson)On opening night of the Paranormal Activity stage show in Toronto this June, someone booed the lead actor in the middle of his performance. The jeerer didn't seem dissatisfied with acting, just the choices of the character on stage.
0 comments
No comments yet. Be the first to share your thoughts!