Sweet nothings, urinal cakes and headless dogs: 10 artworks worth seeing at Frieze
This story deserves to be shared
Send it to someone who'd care, or post it on your networks.

Ella Fleck at Ehrlich SteinbergThe raised platform in the middle of British artist Ella Fleck’s installation vibrates under your feet to the sound of a male voice. He’s whispering sweet nothings, intoning sexual fantasies. It’s all based on third-party agencies that manage OnlyFans accounts, interacting with users, creating fictional relationships that horny guys spend thousands on. It’s a greasy, gross, uncomfortable exploration of sex work on an industrial scale. Yuli Serfaty at Xxijra HiiYuli Serfaty’s headless metallic dog sculptures guard this booth, their claws sharp, their heavy teats dragging on the floor. It’s a surreal symbol of femininity pushed to an extreme, a body devalued and exploited. A video shows the creature trying to escape the booth, and succeeding. The whole installation looks like HR Giger meets Wolfenstein 3D, but with a nasty, satirical edge. Rirkrit Tiravanija at David ZwirnerRepetitive, meaningless … Rirkrit Tiravanija, untitled 2026 (a bitter pill). Photograph: Jack Hems/courtesy the artist/David ZwirnerFinally, something to help you get through Frieze.
This article is an excerpt. To read the full content, visit the original source. The Guardian Culture
Related articles
The Hits and Misses of London’s Frieze Week
It's a Frieze Week dispatch! The post The Hits and Misses of London’s Frieze Week appeared first on Artnet News .

Ah, the Many Smells of Frieze London
Among them champagne, new money, and an artist’s custom-scented bathroom installations. Visitors enjoy Theo Triantafyllidis's “Feral Metaverse (Spider)” (2026) at Frieze London. (all photos Naomi Polonsky/Hyperallergic)
0 comments
No comments yet. Be the first to share your thoughts!