‘Rocky’ Is the Story of an Underdog, Created by an Underdog, That Has Spawned Box-Office Champions for Half a Century

The Wildhorse grass fire in eastern Idaho erupted with a massive pulse of smoke. No one had expected it, but the wildfire had launched what’s known as a pyrocumulonimbus cloud, or pyroCb. It was an elusive weather phenomenon that scientists on NASA’s INSPYRE (INjected Smoke and PYRocumulonimbus Experiment) campaign spent weeks this summer hunting across western North America. Pyrocumulonimbus clouds rise above intense fires, producing lightning and rain along with powerful winds that can whip the flames below into a fury. The largest pyroCbs funnel smoke 30,000 to 50,000 feet (10 to 15 kilometers) above Earth’s surface, as high as the cruising altitudes of commercial jets and even into the stratosphere.

Paula Findlay feels like a rookie after two decades in triathlon, which she says is a good place to be. The 37-year-old from Edmonton won the first Ironman triathlon she entered, which punched her ticket for the biggie — Saturday’s world championship in Kailua-Kona, Hawaii.

In August 2019, Omar Rajeh sat in his bedroom, listening to the sound of pounding percussion with his world in crisis. In the midst of political instability, Citerne Beirut, a theatre and cultural centre Rajeh had founded in his native Lebanon, was forced to close, dismantled by order of the local government, who planned to build an incinerator on the site. Heartfelt … Omar Rajeh in Dance Is Not for Us. Photograph: Tristram Kenton/the GuardianRajeh tells us that as a teenager, coming of age at the end of the Lebanese civil war, dance had always seemed like the most revolutionary thing he could do. Now here he is, more than three decades later, still dancing – out of frustration, defiance, resistance and a desire to connect. As the percussive score gains momentum, Rajeh’s busy body builds up a sweat. In this danced stream of consciousness, Rajeh is not always an especially elegant mover, but he dances like it’s a necessary thing to do. Part of this year’s Dance Umbrella festival, Dance Is Not for Us is a solo that appears at times like an explosion of physical instinct, but it is mostly calm, considered musings on the nature of choreography, with all its workings exposed.