Kenan Institute for the Arts and UNCSA to host Black Sacred Music Symposium, March 19-22 - University of North Carolina School of the Arts

“I left my hometown / My hometown appears,” begins a poem by artist Shuling Guo titled “Temple II,” which shares its name with her forthcoming solo exhibition at Hollis Taggart Downtown. Drawing on sacred symbolism and nature, Guo delves into her memories of growing up in Chaoshan, Guangdong Province, China, and the area’s unique mixture of spiritual and folk traditions. Her dreamlike, symmetrical works speak to the harmony of the cosmos as much as they nod to the balance of life and the sublime. Guo’s paintings in Temple II explore memory, presence, and loss, and their creation coincided with both the birth of her daughter and the death of her grandmother. Burgeoning blossoms, delicate flames, and glowing ribbon-like tendrils allude to the transience of life, its beauty, and its fragility.

A a man died of a freak accident on the property on Friday during a walking tour.

'The fair is proceeding as planned and final preparations are underway,' a spokesperson said. The post After Protests and Riots, Art Basel Readies Paris Show appeared first on Artnet News .

MIRROR-FINISH ACRYLIC PANELS CONCEAL pavilion IN GUADALAJARADesigned by errre taller, Sfumato is a temporary reflective pavilion that reinterprets the Cubo MEM, a prominent sculptural landmark at the ITESO architecture complex in Guadalajara, Mexico. Selected as the winning proposal for the inaugural Pabellón MEM competition, the project investigates how an existing architectural structure can become visually imperceptible while maintaining its physical footprint.all images ©errre tallerCONCEALED STEEL FRAMING FORMS MONOLITHIC SKYWARD PAVILIONThe intervention by studio errre taller wraps the 6.40 × 6.40-meter cube in a reflective envelope composed of 3 mm mirror-finish acrylic panels. The standard 1.22 × 2.44-meter sheets are combined with 76 cm cut sections to maximize material efficiency while maintaining surface continuity. The panels are attached using double-sided tape and silicone to a light-gauge metal stud-and-track framing system supported by an interior wooden sub-structure fixed to the original PTR steel frame. To preserve the illusion of a monolithic volume, a single access portal is positioned discreetly on the less prominent west face.