Injection Aunt Scandal Engulfs Entertainment Industry - 조선일보

Photo Courtesy of Getty ImagesIn the depths of sorrow, we turn to music. I know what each of my heartbreaks have sounded like. I know every song that has picked me up off the bathroom floor and every artist whose voice has been the unknowing soundtrack to my grief — due to loss, love, and everything in between. Those sonic moments of comfort — the ones that reach through the speakers and whisper that your loneliness isn’t singular — are so personal, shared between you, your headphones, and your tears. Dolly Parton has been with me for some heavy shit stuff (censored out of respect to Dolly, who hated cursing). Fittingly, since she couldn’t have kids of her own, Parton has helped me through my own journey with infertility. After my first pregnancy loss, I’d go on long walks by myself to cry, scream at the trees or God or whoever was listening, and grieve. I listened to a lot of Dolly (and Whitney and Aretha and all the divas whose voices have transcended their time on earth). What I remember most about those walks was that I listened to the WNYC podcast series Dolly Parton’s America.

Betye Saar, a Los Angeles artist who transformed collections of bigoted bric-a-brac — Sambo dolls, ceramic mammies and crude renderings of pickaninnies — into potent works of assemblage that mined the searing history of race in the United States, and whose works influenced generations of artists, has died. She was 99. Saar died in her sleep — just a few days short of her 100th birthday — in Los Angeles, her longtime gallerist Julie Roberts at Roberts Projects said. Saar’s death was confirmed by her publicist Hannah Gottlieb-Graham. “Betye Saar was one of the greatest artists of our time, and it has been an immense honor to work with her for nearly 20 years,” Roberts said. “Her singular vision transformed the course of contemporary art, and her legacy will continue to inspire generations of artists, scholars, and audiences around the world.”A diminutive woman with a low-key manner that belied a steely resolve, Saar was known for combing garage sales, flea markets and junk piles for objects that she employed in collages and assemblages large and small.

View of the city of Mocha as seen from the maternity ward. The city is partly destroyed due to erosion and years of war. Yemen, November 2024. View of the city of Mocha as seen from the maternity ward. The city is partly destroyed due to erosion and years of war. Yemen, November 2024.