Hilary Duff is reclaiming her past as Lizzie McGuire - CBC

Opposing forces tug against each other in this new drama as Anne-Marie Duff is magnificent amid playwright Helen Edmundson’s implausible plotting. The result is a failed suspension of disbelief yet a convincing central performance. Duff plays Julie, a mother, ex-wife and working woman whose already over-burdened life is turned upside down by an incident at a tube station when an 11-year-old boy randomly and aggressively insults her. She challenges him, reasonably, and in a series of unconvincing plot turns, winds up facing a legal battle and potential prison sentence. As a story of an ordinary middle-aged woman being buffeted by patriarchal forces around her, this play is stuffed full of important issues. We hear stories of casual sexual abuse, laughed off by those around Julie. Now we see her life virtually destroyed by the boy’s allegation. There is mention of CCTV footage and you wonder if an Adolescence-style video reveal is to come. But the plot makes clear that there is no incontrovertible evidence against her, yet she stands to lose everything. Potential brilliance … Ioanna Kimbook (left) and Anne-Marie Duff in Some Woman at the National Theatre, London.

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In August 2019, Omar Rajeh sat in his bedroom, listening to the sound of pounding percussion with his world in crisis. In the midst of political instability, Citerne Beirut, a theatre and cultural centre Rajeh had founded in his native Lebanon, was forced to close, dismantled by order of the local government, who planned to build an incinerator on the site. Heartfelt … Omar Rajeh in Dance Is Not for Us. Photograph: Tristram Kenton/the GuardianRajeh tells us that as a teenager, coming of age at the end of the Lebanese civil war, dance had always seemed like the most revolutionary thing he could do. Now here he is, more than three decades later, still dancing – out of frustration, defiance, resistance and a desire to connect. As the percussive score gains momentum, Rajeh’s busy body builds up a sweat. In this danced stream of consciousness, Rajeh is not always an especially elegant mover, but he dances like it’s a necessary thing to do. Part of this year’s Dance Umbrella festival, Dance Is Not for Us is a solo that appears at times like an explosion of physical instinct, but it is mostly calm, considered musings on the nature of choreography, with all its workings exposed.