Glasgow's troubled Centre for Contemporary Arts to permanently close - BBC

'It’s a marriage made in heaven,' one dealer said.

Brazil’s famously outspoken fandoms have near-unanimously rallied behind the leftwing presidential candidate. On the streets of São Paulo, they explain their mission Earlier this month, Brazil’s…

With catches down 80%, dead crabs and lobsters washed up on beaches and officials denying any responsibility, Hartlepool seafarers have taken a stand Hartlepool fisherman Stan Rennie has been called…

Artist Rosana Paulino makes a self-portrait of Brazil, protests in France and Colombia, and this month’s edition of Beer With a Painter. “Brazil is a country that has never really looked at itself,” artist Rosana Paulino — one of the nation’s representatives at this year’s Venice Biennale — tells curator and researcher Daniela Mayer in an interview today. So Paulino sets herself to the task, coopting the European form of the illustrated naturalist album — “images made by foreigners for foreigners” — to represent the experience of Black Brazilian women. All the world over, art is a flashpoint for political struggle. In Paris, art students block the entrance of the Louvre to protest France’s overcrowded and underresourced schools, Staff Repoter Anna Lee writes. In Colombia, artists are out on the streets, fighting back against the right-wing president's removal of artworks by women and LGBTQ+ artists from the national museum, Senior Editor Valentina Di Liscia reports. And a new film reviewed by Greta Rainbow laments Iranian authorities’ search and seizure of an archive lovingly assembled by painter and conceptual artist Nasser Bakhshi in Tabriz.