Fashion designer Prabal Gurung explains why Kamala Harris's pockets matter - CBC

The latest on the student protests in France, the art world’s AI problem, one-on-one with Rosana Paulino, and Beer With a Painter featuring Melissa Brown. The subway car rattles, shakes, and screeches as it tunnels us from Brooklyn to Manhattan underneath the East River. I hold on tight to a pole, while my eyes are fixed on an ad for the Broadway musical Les Misérables. My social media feed shows me only looting and vandalism in France, painting a violent picture of the largely peaceful student protests. Panicking, the art world’s blue-chip class shuts down Art Basel Paris early and flees the city. The Louvre also closes to protect its treasures. Loot a little and they throw you in jail; loot a lot and they let you open a museum. I get to a benefit dinner for an art residency held in a former bank. A peppy auctioneer asks the who’s who to open their hearts and wallets. Paddles go up and down, and a donation ticker on a big screen climbs to astronomical numbers while I admire the building’s huge stained-glass skylight.

The literary power couple is a historically seductive concept. Two writers sharing a life, their private and creative worlds entwined, each becoming witness to and critic of the other’s work. Think Simone de Beauvoir and Jean-Paul Sartre, Joan Didion and John Gregory Dunne. Or, less auspiciously, Sylvia Plath and Ted Hughes. Now, into this illustrious company steps a new pair: the novelist Marlon James and the biographer Nicholas Boggs, whose books have each been shortlisted for one of Britain’s most prestigious literary awards – James for the Booker prize and Boggs for the Baillie Gifford prize for nonfiction. Between them, they have produced two formidable books, each the culmination of years of work, and each concerned with the lives of Black queer men whose stories have often been overlooked. “I’m not sure what to do with it,” James says, when I ask how they feel about the inevitable impending “literary power couple” label. “I have all these romantic notions that we were like Joan Didion and John Gregory Dunne or something – I don’t know. What do you think?” He turns to Boggs, who laughs. “It’s all very new,” he says.

through a restrained palette of granite, plaster and steel, the project explores how simplicity, materiality and spatial continuity can transform a compact home into an open, cohesive and characterful living space. Oroco edited by christina vergopoulou October 24, 2026 3 min prefer designboom on googleOROCO STUDIO RECONFIGURES 40-SQM APARTMENT IN MADRIDRS19 is the renovation of a 40-sqm apartment in Madrid’s Palacio neighborhood, designed by OROCO Studio. Conceived as a first home, the project explores how a limited surface can accommodate everyday life while creating a sense of openness and spatial generosity. The intervention rethinks the existing layout to establish a more fluid relationship between spaces, prioritising continuity, functionality and the perception of depth. Rather than relying on an abundance of partitions or decorative gestures, the design seeks to achieve more with less, allowing the architecture and its material qualities to define the character of the interior.all images ©OROCO StudioGRANITE, PLASTER, AND STEEL ANCHOR RESTRAINED MATERIAL PALETTEA restrained palette of granite, plaster, and steel forms the foundation of the project by Oroco Studio.

A fitting tribute to the late star’s breakout album 20 years after its release, this special concert was held at the Roundhouse in north London earlier this week. It’s led by a team close to Winehouse’s music, including the album’s producers Mark Ronson and Salaam Remi, and features the Amy Winehouse Band playing all the hits including Valerie and Rehab. Special guests include Corinne Bailey Rae, Flo, Jessie Reyez and Jorja Smith. Hollie RichardsonStrictly Come Dancing6.30pm, BBC One We’ve already had a few themed weeks in this year’s competition, but now it’s back to basics. Lacey and Vito will be doing the tango to a Blondie banger; Cach and Maddie will take on a cha cha to Måneskin; and it’s time to jive with Lawrence and Jowita. HRSecrets of the Viking Ship With Bettany Hughes8pm, Channel 4

Siobhán McSweeney is teaching me her preferred way to enjoy a packet of cheese and onion crisps. She has arranged two matching slabs of Cadbury’s Dairy Milk chocolate, two piles of Tayto crisps and two cans of Guinness on the table in front of us – and is issuing strict instructions. “Don’t swallow!” she booms theatrically, and I freeze, my mouth full of Taytos. The trick, McSweeney explains, is to get the crisps, chocolate and Guinness into your mouth at the same time, and then swill it all around a bit to make a kind of boozy, oniony soup. “See?” McSweeney is watching me carefully to check I am putting all the ingredients into my mouth in the correct order. “It’s delicious! Just delicious!”McSweeney burst into the public consciousness back in 2018 with Derry Girls, a comedy series about a group of Catholic schoolgirls, set against the background of the Troubles in 1990s Northern Ireland. McSweeney won a Bafta playing the girls’ headmistress, Sister Michael – a potty-mouthed, judo-loving nun – and can count Martin Scorsese as a fan.

KINETIC THREAD COLUMN installation draws from SUDARE SCREENSCreated by Japanese artist, engineer, and researcher Youtaro Sakamoto, Schattenrequisit: Column is a kinetic installation formed from fine threads that explores the relationship between architectural permanence, human presence, and shifting shadow projections. Drawing conceptual inspiration from the light-filtering properties of sudare (traditional Japanese slatted screens), the project treats physical material and immaterial shadows as unified components of a single sculptural composition.all images ©Manabu TanakaANIMATING STATIC ARCHITECTURAL FORMS THROUGH HUMAN MOVEMENTThe installation takes the form of an architectural column constructed from closely spaced fine threads. Integrated millimeter-wave sensors detect the proximity of visitors, triggering a stepper motor developed through computational design and physical prototyping. In response to movement within the space, the motor slowly rotates and shifts the thread assembly, altering the overlap of the linear strands and continuously transforming the shadow silhouettes cast across surrounding walls and floors.