Cyberpunk 2077 Gets Surprise Official New Update Announcement From CD Projekt

For the last 16 years at Tokyo Game Show, Masahiro Sakurai has handed out awards centered on game design to celebrate games that do things differently. This year, however, was the final year for this event, and in a new interview, he shared a somewhat bleak reflection on the importance of originality as he discontinued the prize. Sakurai’s Game Designers Award was centered on promoting original game design ideas, regardless of sales performance. Winners of the award, not necessarily limited to a single game each year, have included the original Life Is Strange, Mario Kart: Home Circuit, Viewfinder, and Scribblenauts. However, during his speech at the awards show last month, he painted a somber picture, lamenting, “Though it may sound rather grave, originality doesn’t actually have a strong impact on sales. I think it actually ranks low on the list of priorities for many.” He compared the problem to the way the novelty of a limited-time drink flavor might fade after it’s been released, although he hopes the games industry hosts enough creative minds to avoid this problem.

With its cinematic HD-2D visuals and flashy combat, Final Fantasy Resonance was already piquing the interest of turn-based RPG fans, but its powerful and fun Visions mechanic has really captured the imagination. I went hands-on with the final game to take a deep dive into what Visions are, how they work, and how they transform main characters Rain and Lasswell’s quest to save their world. If you’re familiar with summons in turn-based RPGs, then that’s a good starting point for Visions – but you’ll get a particular kick out of them if you’re a long-time Final Fantasy fan. As I explored Lapis, I encountered crystal shrines that each welcomed me to engage with a short tale of a hero from previous games in the series.

Ashely currently works as a news writer for Polygon. After getting her Translation degree, she was hired as a guide and news writer for GameRant and TheGamer. She enjoyed working as an author for these sites for six years, and in 2026, she started at Polygon, where she is able to continue to do what she loves: writing about video games. You can even get Nikki's creepy pose as an idle animation

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Michael McWhertor is a New York-based journalist and editor with more than 20 years of experience covering games, industry events, technology, movies, and TV. Slayground's first teaser is full of mystery

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