An Insider’s Guide To Coachella’s Artist Pass - Elite Daily

In films, twins are usually written as either identical personalities or complete and total opposites, and it’s the latter dynamic that’s at work in this pre-teen animation. One twin is a popular straight-A student heavily invested in fitting in and doing well at ballet, while her sister Mia is a chaotic kook. They both live in Primrose, an appropriately named community that apparently used to be infested with monsters, but can now claim to be proudly monster-free for the last 500 years. The twins’ parents are supportive of their golden child and try their best to understand Mia too, but it is easier for them to praise the kid bringing home the perfect behaviour reports than the one exasperating her teachers with her determination to discover monsters, by hook or by crook. Scrappy Mia is, naturally, the protagonist of this film, and it’s not too long before she finds herself accidentally enrolled in Rotwood Academy, a school for monsters who would be shocked to discover a human in their midst; from their point of view, humans are brutal, cold-blooded creatures, best avoided, who prefer – ugh! – cupcakes to grave-worms.

created with we are ona and chef dalad kambhu for art basel paris 2026, the installation brings thai cooking and communal dining into two boat-shaped structures inspired by traditional fishing boats, transforming the act of sharing a meal into a collective artistic experience. Iñaki Laguardia October 20, 2026 6 min prefer designboom on googleRIRKRIT TIRAVANIJA BRINGS THAI FISHING BOATS TO ART BASEL PARISThai artist Rirkrit Tiravanija has designed two monumental stainless steel tables inspired by traditional Thai fishing boats for Dalad’s, a temporary restaurant presented by We Are Ona during Art Basel Paris 2026. Installed inside a secret location near Place de l’Étoile, the elongated structures function simultaneously as dining tables and working kitchens, with integrated seating and steam pots that allow food to be prepared and served directly in front of guests. Conceived in collaboration with chef Dalad Kambhu and We Are Ona founder Luca Pronzato, the installation places cooking and social interaction at the center of the architectural experience.

created with we are ona and chef dalad kambhu for art basel paris 2026, the installation brings thai cooking and communal dining into two boat-shaped structures inspired by traditional fishing boats, transforming the act of sharing a meal into a collective artistic experience. Iñaki Laguardia October 20, 2026 6 min prefer designboom on googleRIRKRIT TIRAVANIJA BRINGS THAI FISHING BOATS TO ART BASEL PARISThai artist Rirkrit Tiravanija has designed two monumental stainless steel tables inspired by traditional Thai fishing boats for Dalad’s, a temporary restaurant presented by We Are Ona during Art Basel Paris 2026. Installed inside a secret location near Place de l’Étoile, the elongated structures function simultaneously as dining tables and working kitchens, with integrated seating and steam pots that allow food to be prepared and served directly in front of guests. Conceived in collaboration with chef Dalad Kambhu and We Are Ona founder Luca Pronzato, the installation places cooking and social interaction at the center of the architectural experience.

the music of ryuichi sakamoto, brian eno, and mulatu astatke offers a glimpse into the memories, rhythms, and ideas that accompany the architect’s creative practice. thomai tsimpou October 20, 2026 5 min prefer designboom on googlekengo kuma on music as a source of architectural inspirationFor Japanese architect Kengo Kuma, music is closely tied to the way he thinks about space. A longtime admirer and personal friend of Ryuichi Sakamoto, he sees parallels between the composer’s approach to music and his own work in architecture. ‘He created a new image of what an Asian artist could be, crossing boundaries between East and West, tradition and modernity,’ Kengo Kuma tells us. His selections for this edition of designboom listens move between jazz, ambient music, classical compositions, and experimental sounds, with each track offering a different point of entry into his creative practice. In our weekly series, we explore the music behind creative practice, asking people from different fields what they listen to when they need inspiration, get stuck on a project, or find themselves drawn back to a particular memory.

‘Let’s dance,” sang David Bowie in 1983, commanding: “Put on your red shoes and dance the blues.” That call is to be answered – with footwear TBC – by an international dance production featuring new choral arrangements of songs from throughout his career. Subject to Change: A Dance for David Bowie will be staged at Sadler’s Wells in London in autumn 2028 after a world premiere in Luxembourg. It will visit Tokyo in 2029. The show will explore how Bowie “practised a form of artistic reincarnation” according to Spanish choreographer Marcos Morau who is taking inspiration from the superstar’s transformations into personas such as Aladdin Sane and the Thin White Duke. “One of the greatest dangers for an artist is ending up resembling themselves too much,” said Morau. “Bowie turned change into a way of remaining true to himself. That inspires me deeply. I believe every new work should force us to let go of some certainty. Art shouldn’t serve to confirm who we are, but rather to accept that life transforms us, that we change over time, and that our own contradictions help us grow.”‘What happens when his songs leave behind the voice we all know?’ … Bowie in his Thin White Duke era in 1976.

Museums often try to reflect the world around them, but rarely are they made so literally of their surroundings as the new design museum in Ghent. Rising above the Belgian city’s medieval tiled rooftops like an angular white watchtower, the new building has vacuumed up the city’s condemned concrete frames, windows, car windscreens, sinks and old toilets, and transformed them, phoenix-like, into a gleaming monument to recycling. “There’s nothing new about reuse,” says Andy Groarke, co-founder of Carmody Groarke, the London-based architects who designed the €20m (£17m) project with local firms Atama and Re-st. “We’ve just forgotten how to do it.”He says the team drew inspiration from Ghent’s 16th-century gothic cathedral, Saint Bavo’s, which was partly built using the white limestone blocks of the 10th-century romanesque basilica that had stood on the same site (recent renovations also ghoulishly uncovered walls made of human bones, femurs and tibias apparently having particularly useful structural properties, with crushed skulls for infill). Earthy layers of rubble … Design Museum Ghent.