11 + 1 tips for free art in Berlin - visitBerlin.de

In September 1991, I had just been thrown into the meat-grinder of a Midlands boarding school. In this bear pit, there were predators and there was prey. You were either the swaggering rugby alpha, whipping a wet towel at pale bodies in the eight-boy dormitory; or the homesick ghost, keeping your guard up, endlessly braced for your toilet cubicle to be kicked open or your washbag chucked off the fire escape. My mind had always been loud, racing with opinions, stories, jokes. But by the time I adequately considered a thought, the conversation had raced on without me. Suddenly, under 24/7 social scrutiny in a world where bullhorn confidence is king, I felt dismissed. Up to that point, music hadn’t helped. Every rock star I had ever seen – Elton John, Freddie Mercury, Mick Jagger – was a showboating peacock, all hips, handclaps and absurd glasses, seeming to whisper in my ear: “This isn’t for you, bookworm.” But that September, I stumbled across the Stone Roses’ self-titled 1989 debut album. I must have seen John Squire’s genius before I heard it, on his paint-splashed, lemon-drizzled sleeve art.

The latest on the student protests in France, the art world’s AI problem, one-on-one with Rosana Paulino, and Beer With a Painter featuring Melissa Brown. The subway car rattles, shakes, and screeches as it tunnels us from Brooklyn to Manhattan underneath the East River. I hold on tight to a pole, while my eyes are fixed on an ad for the Broadway musical Les Misérables. My social media feed shows me only looting and vandalism in France, painting a violent picture of the largely peaceful student protests. Panicking, the art world’s blue-chip class shuts down Art Basel Paris early and flees the city. The Louvre also closes to protect its treasures. Loot a little and they throw you in jail; loot a lot and they let you open a museum. I get to a benefit dinner for an art residency held in a former bank. A peppy auctioneer asks the who’s who to open their hearts and wallets. Paddles go up and down, and a donation ticker on a big screen climbs to astronomical numbers while I admire the building’s huge stained-glass skylight.

Vertical dramas – that is, short-form content made specifically for phones – are big business in 2026. They are particularly popular in countries such as China and India, and the global market is expected to be worth $26bn by 2030. It makes sense: much has been made of the double-screening epidemic, and of people scrolling so much that Netflix has to remind them what is going on on their TV screens every few seconds. Why not just cut out the middleman and ditch the telly bit altogether? Enter Channel 4, which has released its first vertical drama on social media in the UK. It’s described as “a bold, character-led series” that explores “the friendship, ambition and lives of a diverse group of intelligent young women”. The Guest List is made in partnership with the skincare brand Sol de Janeiro, and episodes are around 90 seconds to two minutes in length. The microdramas that have gripped Asia are camp and cliffhanger-heavy – one producer described them as “soap operas on cocaine”. The Guest List is less cocaine, more Coke Zero: sweet, syrupy, probably not bad for you but not especially good either. Anodyne.

The Irish traditional musician Dónal Lunny has died at the age of 79 from cancer. Lunny rose to prominence in the trio Rakes of Kildare alongside his brother Frank and Christy Moore. He went on to play in bands such as Planxty, Moving Hearts, the Bothy Band and Coolfin among others and toured the world. A post on his Facebook page confirmed that Lunny died in St James’s hospital in Dublin on Friday morning. “We are heartbroken to confirm that our beloved Dónal passed away peacefully this morning in Dublin following a short stay in St James’s hospital,” the post said. “Thank you for helping us to remember and celebrate his immense contribution to music, to culture and to so many people’s lives all over the world.”Catherine Connolly said Lunny was ‘central to so many of the most influential moments of the last 60 years of Irish music’. Photograph: Niall Carson/PAThe Irish president, Catherine Connolly, expressed her “deepest condolences to the family, friends and many musical collaborators of Dónal Lunny”.

The literary power couple is a historically seductive concept. Two writers sharing a life, their private and creative worlds entwined, each becoming witness to and critic of the other’s work. Think Simone de Beauvoir and Jean-Paul Sartre, Joan Didion and John Gregory Dunne. Or, less auspiciously, Sylvia Plath and Ted Hughes. Now, into this illustrious company steps a new pair: the novelist Marlon James and the biographer Nicholas Boggs, whose books have each been shortlisted for one of Britain’s most prestigious literary awards – James for the Booker prize and Boggs for the Baillie Gifford prize for nonfiction. Between them, they have produced two formidable books, each the culmination of years of work, and each concerned with the lives of Black queer men whose stories have often been overlooked. “I’m not sure what to do with it,” James says, when I ask how they feel about the inevitable impending “literary power couple” label. “I have all these romantic notions that we were like Joan Didion and John Gregory Dunne or something – I don’t know. What do you think?” He turns to Boggs, who laughs. “It’s all very new,” he says.

through a restrained palette of granite, plaster and steel, the project explores how simplicity, materiality and spatial continuity can transform a compact home into an open, cohesive and characterful living space. Oroco edited by christina vergopoulou October 24, 2026 3 min prefer designboom on googleOROCO STUDIO RECONFIGURES 40-SQM APARTMENT IN MADRIDRS19 is the renovation of a 40-sqm apartment in Madrid’s Palacio neighborhood, designed by OROCO Studio. Conceived as a first home, the project explores how a limited surface can accommodate everyday life while creating a sense of openness and spatial generosity. The intervention rethinks the existing layout to establish a more fluid relationship between spaces, prioritising continuity, functionality and the perception of depth. Rather than relying on an abundance of partitions or decorative gestures, the design seeks to achieve more with less, allowing the architecture and its material qualities to define the character of the interior.all images ©OROCO StudioGRANITE, PLASTER, AND STEEL ANCHOR RESTRAINED MATERIAL PALETTEA restrained palette of granite, plaster, and steel forms the foundation of the project by Oroco Studio.