CD Projekt Red says its mysterious Hadar game is its "biggest project to date", but even after "several good years" it's seemingly a long way off

A more Edgerunners-esque original tale from Night City looks to be in the offing Since the existence of plans for a Cyberpunk 2077 live-action adaptation from devs CD Projekt Red and Paramount Pictures was revealed last week, I've been hoping it won't take the form of porting V's tale from the game to the big screen. Such a thing wouldn't necessarily be terrible, but I like my game adaptations a bit more on the original story side of things, as Cyberpunk tie-in anime series Edgerunners has been. The good news is that one of CD Projekt Red's big bosses has now confirmed that this adaptation won't be beat-for-beat retelling of 'Honey, there's a Keanu in my brain'.

CD Projekt Red has finally spoken up about the live-action Cyberpunk 2077 movie. The company said it doesn’t want to do a 1:1 adaptation of the game, instead telling a new story within the same universe. "At this point, we can only say that we definitely don't want to make a film adaptation of the game," co-CEO Michał Nowakowski told Polish outlet PAP Biznes, via GamesRadar. "We want to tell a story in the world of Cyberpunk, but it won't be a one-to-one translation of the game's story. "The Cyberpunk movie is being created in partnership with Parmount, now under the Skydance banner after the recent merger. The film will be produced by Lorenzo di Bonaventura, of live-action Transformers fame. It’ll be interesting to see how far the movie strays from the game, which featured a freelance mercenary called V who put a mysterious computer chip in their brain and ended up haunted by the digital ghost of Keanu Reeves’ Johnny Silverhand. I’d personally love them to go back, get Reeves back in, and tell Silverhand’s story before he ended up stuck in a chip.

Mark Darrah predicts a "bifurcation" is coming "The triple-A industry has become over-specialised, specialised to the point of hyper-fragility," Mark Darrah states in a foreboding interview found deep in the pages of the Summer Eternal Anthology, recently covered by Edwin. As a former executive producer at Bioware, who corralled teams on Anthem and Dragon Age, after starting his career as a programmer on Baldur's Gate, Neverwinter Nights, and Jade Empire, Darrah has seen firsthand the growing scale of video game production and the challenges it can bring.

Sometimes, the people who make movies don’t always get the credit they deserve. Carrie Fisher served as an uncredited script doctor on the 1998 Adam Sandler movie The Wedding Singer, and Quentin Tarantino did an uncredited rewrite of the Saturday Night Live sketch-turned-movie It’s Pat. This is more common with writers than directors, but it can happen to directors, too. For example, Richard Donner, who helmed the 1979 masterpiece Superman, shot a good deal of the sequel Superman II, but was fired partway through the movie. Richard Lester, who replaced him, received full credit. And while all the details about it still aren’t really known, there’s a certain 1982 horror film that many speculate was directed by someone other than the guy in the credits. Poltergeist, which is currently available to stream on HBO Max, follows an ordinary suburban family who begin to experience strange things in their home. Furniture and toys move on their own, a glass of milk shatters out of nowhere, and the youngest child in the family, five-year-old Carol Anne (Heather O'Rourke), begins to communicate with beings through the television.

The developer behind Russian roulette anime game Drunken Goddess Reflux has canceled its plans for a public Steam demo, citing concerns over potential AI copycats. Alliance Arts and Who You's path to launch has seemingly been mostly bump-free since it was announced back in April. Featuring ghostly pinks and purples and a gameplay premise described as "shot glass Russian roulette with a demon who loves you enough to kill you," the recent reveal that it would launch this December only made its future feel clearer. Part of that release date announcement included the promise that a demo would launch October 19, but as explained in an update post on Steam, those plans have changed. What was originally intended to be a public release for the Drunken Goddess Reflux demo has now been canceled in favor of a "closed play session for a limited number of participants. " It's a last-minute move Alliance Arts apologized for, but its concerns related to rapidly advancing AI technology were simply too great to ignore.

They say that happiness equals reality minus expectations, and, unfortunately for these eight Switch games, reality landed nowhere near what was expected. It’s hard to blame the critical and community reception for some of them, but not all of them are bad. Some just aren’t what people were hoping they would be. So we’ve ranked them by the size of the gap between promise and result, from the mild letdowns to the ones that stung most or didn’t justify for the cost. Consider this your reminder to check your expectations at the door. Expected: A showstopper. Got: A chill, easy stage show Here, Peach takes the lead in a theater full of costume-themed stage plays, including a detective, a mermaid, and a swordfighter. If you love Princess Peach and enjoy dressing up dolls — which, same — this may sound like a good conceit. Critics largely enjoyed the charm of the outfits granting Peach various abilities, but found that as a gaming experience it was “pretty, if shallow.” Others found that the game was short, without offering much of a challenge to justify its $60 price tag. Princess Peach: Showtime!