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‘Norm: The Tale of Norm Macdonald’ Review: Judd Apatow’s Juicy and Haunting Portrait of a Comedy Star as Troubled as He Was Hilarious - Variety

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Photo credit : NORM: THE TALE OF NORM MACDONALD

Stand-up comedians have always had a reverence for what they like to call a “comic’s comic” — a fellow comedian who works with such distilled purity and edge, diving head-first into the gnarly metaphysics of comedy, that the comics end up worshipping him more than the public does. (He’s the stand-up-comedy equivalent of an ultimate cool indie-rock cult band.) Gilbert Gottfried was a comic’s comic. So are Larry David and Doug Stanhope and Maria Bamford. And Norm Macdonald was one too, except that as you watch Judd Apatow’s juicy and haunting documentary “Norm: The Tale of Norm Macdonald,” you realize that there was a special thing about him. He was a comic’s comic…who everyone else loved too.

As the movie demonstrates, Macdonald’s credentials as a comic’s comic were unassailable. We see his very first network television appearance on May 9, 1990, on “Late Night with David Letterman,” where he did a bit about the devil commanding someone to kill his family and chop them into bits and stuff the pieces into a duffel bag. (Then the killer learns that the devil is a friend who was kidding.)

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